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Date : 2006-06-23
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Arsenio Rodríguez and the Transnational Flows of Latin ~ David Garcia traces Arsenio Rodriguezs early career in Cuba his influence on Cuban and Latin popular music in the 1940s Arsenio Rodríguez and the Transnational Flows of Latin Popular Music Studies In Latin America Car David F Garcia 9781592133864 Books
Arsenio Rodríguez and the Transnational Flows of Latin ~ Arsenio Rodríguez and the Transnational Flows of Latin Popular Music David Garcia Published by Temple University Press Garcia David Arsenio Rodríguez and the Transnational Flows of Latin Popular Music
Arsenio Rodríguez and the Transnational Flows of Latin ~ Arsenio Rodríguez and the Transnational Flows of Latin Popular Music David Garcia Published by Temple University Press Garcia David Arsenio Rodríguez and the Transnational Flows of Latin Popular Music
Arsenio Rodríguez and the Transnational Flows of Latin ~ Arsenio Rodríguez was one of the most important Cuban musicians of the twentieth century In this first scholarly study ethnomusicologist David F García examines Rodríguezs life including the conjunto musical combo he led and the highly influential son montuno style of music he created in the 1940s
Arsenio Rodríguez and the Transnational Flows of Latin ~ Rodríguezs career and influence spread beyond the island and the authors focus is consequently transnational as he makes clear Cuban musical developments of the 1940s and in particular the innovations of Arsenio Rodríguez were key to the emergence of some of the most influential popular Latin styles of the century including son montuno mambo and salsa
Arsenio Rodríguez and the Transnational Flows of Latin ~ Arsenio Rodríguez was one of the most important Cuban musicians of the twentieth century In this first scholarly study ethnomusicologist David F García examines Rodríguezs life including the conjunto musical combo he led and the highly influential son montuno style of music he created in the 1940s
Arsenio Rodríguez and the Transnational Flows of Latin ~ IN 1960 ARSENIO recorded Yo naci del Africa I Was Born of Africa for his LP Cumbanchando con Arsenio Fiesta en Harlem SMC 1074 The lyrics ofthis song express the core ofArseniosracial identity In the verse section he rejects his Spanish surnames while speculating as to what his true African name and ethnicity might be He then resolves
Arsenio Rodríguez and the Transnational Flows of Latin ~ Latin orchestras including Xavier Cugatsthe most popular Latin band at the time In the following decades mambo and salsa groups would record hundreds ofArsenioscompositions especially his son montunos making him one of the most prolific and recorded composers of Cuban and Latin music In the 1940s Arsenios own recordings and his con
Arsenio Rodríguez and the Transnational Flows of Latin ~ both locally and within the transnational realm of Cuban and Latin popular music All three can be subsumed under a broader transnational approach which for reasons I will explain shortly addresses various interrelated areas of Arsenios music performance career and identity Son Montuno as Musical Social and Historical Text
Arsenio Rodríguez and the transnational flows of Latin ~ Arsenio Rodríguez and the transnational flows of Latin popular music Philadelphia PA Temple University Press 2006 DLC 2005058042 OCoLC62341657 Named Person Arsenio Rodríguez Arsenio Rodríguez Arsenio Rodríguez Arsenio Rodriguez Material Type Biography Document Internet resource Document Type Internet Resource Computer File
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